Critically praised, The Quiet Water House is a remarkable solo piano album recorded in Salzburg, Austria. A story of emotional contemplation within the relationship of music, it is a reflection of humanism that is further enriched via the pertinent force of minimalism. Entwined with jazz and contemporary influences, the sparse and interwoven story enables a common theme that is told over the course of the works.
The creative development of Weit (Far in English) through the influences of contemporary music making that challenges the idioms of creative electronic music can be observed within this work. A sparse openness flows with a silent confidence, further capturing the inovative process of the emergence of contemporary music making that is asscoiated within the works of Dee C’rell. It is strikingly understated, but developed with a pertinent commitment to challenge music boundaries that progress the idosyncratic tendencies of genre related idealogies.
Kompilation 2 is the second in the series that introduces a collection of compositions from Holm Records to a new audience, The album contains recordings which transcends from one to another through a variety of various music making practices, such as solo piano to minimal contempoary electronic music making.
Embracement Re-embrace Mix is an understated composition that focuses on the intimate elements of the original work, subsequently creating a more refined and minimal electronic version as opposed to the original. The remix evokes all of the emotion still whilst maintaining the unique and identifying characteristics of the original Embracement, which is currently supported by many of the most respected DJ’s and compilers in their music genres worldwide.
Embracement is the new composition on Holm Records that features Dee C’rell and the poetry of American artist Karen Gibson Roc. Combining electronic and acoustic music, Embracement merges nto contemporary minimal electronica effortlessly with the unique characteristics of Dee C’rell’s music making influences.
The contemporary nu-jazz single, Of Other, by Dee C’rell, which features live orchestrations and electronics, will be released on Holm Records this March. A contrasting element of music making that brings Dee back to an area of his music that he is recognised for, Of Other will be the first release in the new collections of contemporary nu-jazz and broken beat on Holm Records for 2019.
How Did We Become This, is the first double A-side release of the year, incorporating electronic and acoustic instruments in a captivating collage of sound. The overall structure of the composition is developed by the minimalistic repetitive organic feeling of movemement within the rhythmic elelments, which further progresses into a contemporary electronic composition, that utilises the underlaying melodic motif strucutre throughout.
After the success of Nachtmusik, 2019 will bring the follow up album by Dee C’rell, entitled, Recital For Sleeping. A collection of minimal prepared piano compositions, recorded live in Berlin.
Within The Torn, returns Dee C’rell to contemporary electronica and down-tempo music making, in a varied and contrasting composition, which delves into an alluring kalideoscope of electronic sound manipualtion and contemporary music making.
The Oslo Session recording is a retrospective work that embraces the intimate characteristics of Dee C’rell’s electronic compositions. Recorded live in Oslo, the work embraces pertinent contemporary creative music making practices within live performace and electronic music.
The Seafarers Tale is a combination of five works that are transcribed and improvised from traditional oral folkloric music found in the region of Greece and surrounding areas.
Inside Such Places is a single release of intimate contemporary piano and minimalism that captures the beauty of sound, human conversation and interaction in its natural surrounding.
Due to the on going popularity of Dee C’rell across Asia, America and South Africa for his electronic urban jazz related music, Direction Language is released as a compilation album that combines many of Dee’s known works within poetry and electronic nu-jazz.
A Thousand Tears Upon Kapellstraße is an electronic composition embracing neo contemporary music making idioms and minimal tech.
Signals Live From Pempelfort is the new live contemporary electronic jazz recording by Dee C’rell. The project is a blend of contemporary, electronic and improvisational music. Released as a live project, Signals Live From Pempelfort is the first of the new collection of live recordings.
Anthem For The Unknowing is a contemporary electronic work by Dee Crell. The release is a collage of sound and instrumentation within neo-classical, electronics, minimalism, and neo-tech.
Nachtmusik is a collection of nine solo minimal prepared piano compositions. The compositions capture neo-minimal, contemporary classical and avant-garde loop approaches that are entwined within minimalistic soundtrack concepts.
The repetitive motifs and chord placements subtly explore Western art music and the relationship between Gamelan composition and performance methods, which have been at the forefront of Dee C’rell’s music education for many years.
Cello und Klavier Editionen is the second installment of the Editionen series. Combining alternative arrangements and original compositions, Cello und Klavier Editionen embraces sophisticated arrangements, which subsequently entwine contemporary electronic music making, whilst musically revisiting the original Klavier Editionen album.
In conjunction with the prestigious piano making company Bechstein from Germany, Dee has composed a collection of compositions that entwine within each other, fusing a concept as much as an album. The minimal understated piano playing is infused with rhythmic looping that is influenced from his years of studying and performing Gamelan music, and his evocative use of electronic music making practices, coincides to establish a musical characteristic that is very much associated to Dee C’rell and his visualization of contemporary electronic music.
The Absent Filmmaker is a collection of compositions that abstain from what can sometimes be described as the focused aspects of harmonic content in music, concentrating instead on the sparse, somewhat elusive and reflective structure of composition through the perception of spatial awareness, abstract contemporary composition and avant-garde music.
Sammlung, is an album that combines a collection of compositions by Dee C’rell. Embracing electronica, jazz, lounge and contemporary music, Sammlung is a diverse contempoary electronic album.
Electronische Kompositionen is an album of alternative compostions within contempoary jazz and electronica. From spoken word to abstract live piano performance and keyboards, fused with electronics and rhythms, Elektronische Kompositionen delves into the diverse range of music making practices that signify Dee C'rell.
Farewell Northern Bird is a contemporary solo piano album which embraces both minimal neo classical and contempoary jazz, The album signifies Dee C’rell’s approach to music making practices where the piano is the central theme.
Sounds From My Ghetto Mind, is an E.P. that incorporates, minimal neo jazz, electronica, poetry, and contemporary music. The compositions are entwined with improvisation that embraces minimilism, whilst expertly combmining electroacoustic treatments throughout the E.P.
The Birth of Contemporary Electro Acoustic Jazz is recognised as one of the most diverse double A-side’s within electronic jazz. The soundscapes and musical structures of these compositions encourage the listener to re-focus and perhaps more importantly question, just what it is that we sonically examine?
Dee C’rell returns with the double A-side recordings entitled, Tales from Love. A subtle mixture of poetry, electronica, and jazz related music. Both compositions are a beautiful contrasting tale of the emotions and complexity of love. The Ballad of Love and Transmission Music are further examples why Dee C’rell has become recognised by his peers as an established creative force within contemporary electronic music making.
Elements in Blue is the new creative work by the versatile musician Dee C’rell. Combining contemporary electro-acoustic jazz, electronic music and the subtleties of spoken word. Elements in Blue is an intimate view of modern electronic jazz music and its relationship with electronic dance genres.
Dee C’rell takes the listener on a journey through the musical world of contemporary electro-acoustic jazz and dance music. Combining the elements of electronic sound manipulation, acoustic piano, and jazz, Kommunikation is an explorative but yet somewhat refined music within contempoary electronica.
Turning is a four track E.P. which is composed for piano and upright bass. Composed and performed in one take, each composition is an understated contempoary classical european jazz form which embraces periods of 16th century European art music and contempoary jazz.
Nomadicology brings together Dee C’rell and Austrian jazz musicians, Franz Hautzinger and Helmut Neugebauer. The overall concept delves deep into the nomadic concept of pre - European music and contempoary electronic jazz, also known as contempoary electroacoustic jazz music.
Tokyo kid is a minimal drum and bass composition which combines electronics, jazz piano and trumpet, which accumulates with dark undertones of organic analog synthesizers.
Kompilation 1 delves into the electronic-jazz music like very few others. Effortlessly combining a multitude of influences that steadily transcend through a selection of compositions, and with the inclusion of a live DJ mix from the musician himself, Kompilation 1 is a remarkable insight into contemporary electro-acoustic jazz music.
The Paris Session - Live is taken from the successful live performances by Dee C’rell. The double a - side is a mixture of minimal techno, jazz, and electroacoustic treatments. Dee C’rell has become increasingly established worldwide within electronic jazz related music, and The Paris Session – Live is a unique view into the world of his current live performances.
Dee C’rell returns again to the more ambient area of his music making to bring you, Leivatho. Tranquillity in minimalism combined with the smooth undertones of electronica, Leivatho is for those who embrace the aesthetics around us whilst enjoying the subtle embracement of music.
Farbenmusik is two compositions that include analog synthesizers and minimal piano. Both compositions are influenced by minimal contempoary electronica.
Electric Lounge Sessions is a compilation album selected by Dee C’rell. The album contains a combination of electronica, jazz, and minimal contempoary music. It has been well recieved worldwide and is a unique addition to the catalouge of Holm Records with the included extended mix of the album.
Drei is a three track electronic nu-jazz release. Combining spoken word, electronic sound manipulation and jazz music, Drei has been supported extensively within contempoary electronic jazz related music.
Images is three compositions that expertly combine alternative music making elements within jazz related practices, and are further examples why Dee C’rell is regarded in such high esteem within contemporary-electronica, and jazz related music worldwide.
Places is a mixture of contemporary electro-acoustic jazz and spoken word, that combines abstract and contemporary sound treatments whilst entwining electronic rhythmic elements.
Modal Times was the first album that Dee C’rell released on Holm Records and it is still respected for its forward thinking within electronic jazz related music. It was subsequently re-released in 2012 and it has had individual tracks appear on radio charts and playlists worldwide in numerous areas of electronic jazz related music.
Particles is two compositions that introduce a variety of influences sublimely fused together. Combining a soundscapes and multi-layered textures, both recordings embrace contemporary music making practices with detailed progressive ideals.
Confession is a double a - side which embraces electronica and vocals. Focused more towards electronica, there are undertones of jazz and minimal contempoary electronica which lay the foundation for the subtle vocals which complete the compositions.
Hymn from Journeyman embraces the modern dance genre whilst introducing a composition that is more evident within contempoary acoustic jazz with the inclusion of piano and upright bass. As it plays with all three concepts an improvisation appears that subsequently develops new sonic structures and melodic innovations within the composition.
Based on the concept of Dee C’rell’s journey in minimalism as an improviser, Dee explores each movement, subsequently discovering subtle new contours and textures within each improvisation. Dee has no interest in the virtuoso skills of past performances and is now currently intent in exploring the shape of the pianos acoustic sound environment and its affect on us as listeners. We are embraced slowly upon a journey that enables the audience to think and feel the space that is around us within this piano album.
Editing Confession is an instrumental version of the original vocal versions of Confessions. Now more minimal, sparse and confined, Editing Confession is a alluring downtempo electronica composition.
A kaleidoscope of sound manipulation and vocals entwined with the trademark elements that define Dee C’rell’s understated music making, Chromatisch takes jazz and down-tempo lounge into new territory, gently implementing the audacious music making of contemporary electro-acoustic jazz.
Transition is en E.P. that combines electronica and minimal house music. With spoken word, minimal piano and electronics, all compostions featured have a varied and unique quality that embraces modern electronica.
Licht is an E.P. where the piano is central within the electronic compositions and is electroncally treated as the compositions progress. As a live studio compositsion, all of the sonic treatements that are improvised live created further improvisations for which the piano could then be performed within.
Arstic improvsation within minimal electronic jazz related music appears extensively within Fault Machine. Ironically named after the use of computers in much of todays music, Dee performed much of the compositions in real time within the studio.
Anfang is an electronic jazz related concept which combines electronics and minimal dance music. Introducing subtle progressive collages within the compositions allows the minimal progressive elements to take a form of their own and subsequently creates the improvisations that appear througout Anfang.
Good Morning Mr. Petit is a neo - classical jazz composition dedicated to Philipe Petit, and his extradoinary talents. Strucutured around acoustic jazz and electronics, the composition flows into a contious collage of improvisation.