Dee C'rell is a recognized musician and producer within the progression of British dance music. He appeared in an article in DJ Mag as one of three influential keyboardists and session musicians working in house music alongside American musicians, Jimi Polo and Tommy Barbarella. He wrote and recorded extensively within a variety of electronic music genres on vinyl and became known by dance music connoisseurs for his influence on, So In Love With You, writing all of the music and producing the original composition, whilst writing also the music for the DJ Camacho remix, that featured American vocalists, Gerideau and Shawn Benson. It is the first recording to feature two male singers in a duet in house music worldwide. It was premiered live at the Ministry of Sound in London alongside pioneer of American dance music, DJ Tony Humphries. It was re-released by Norman Jay, (awarded an MBE), for the 30th Anniversary of the internationally recognised, Notting Hill Carnival in London, U.K. on both CD and vinyl on Strut Records.
In the early progression of techno music he collaborated with Ian Tregoning; who is known for his work with electronic music artists Yello, amongst others. As Stranger and C-rell, they signed to the iconic record label, Freetown and Subwoofer, and released, I like It, featuring American soul singer, Jocelyn Brown. The double A-Side is credited as one of the first African rhythm influenced techno track of its time, and it is a collector's item on vinyl within electronic music.
Constantly evolving within all genres of electronic music, Dee was also at the forefront of a genre established as breakbeat, where he composed and recorded on vinyl with Subject 13, on record labels, Sony and Underground Level Recording. Releasing, Techno City, The Unique Beatz E.P Vol.1 and Stay Blessed, these original vinyl releases were part of the British breakbeat scene which inadvertently influenced what would become known worldwide as Drum ’N’ Bass.
Dee C’rell’s music recording output is acknowledged as vast and spans multiple music genres. He is synonymous within contemporary music making, where he expertly blends piano and electronics, solo piano, and electronic music into his creative process and music recordings.
He has had worldwide success with multiple compositions such as, the acclaimed electronic downtempo poetry composition, The Ballad of Love. The athmospheric electronic related composition, Berlin. The Bechstein endorsed piano album, Klavier Editionen. The unique double A-side Chromatisch, which includes, Adjustment and Days Like These. The electroacoustic jazz compositions, Form 1 and Form 2. The mininimal electronic and piano compositions, Headphone Walking, Falling Backwards and Looping At The Spree. The contemporary electronic composition, Weit, and the nu-jazz downtempo compositions, Reflection, Of Other, Together, Moulin Bleu, The Remarkable Day of Average, Whodoo, Readjustment, and Embracement, to name just a few. As a solo pianist, his works are extensive with recordings such as, Passage Of Winter, Beyond The Tenure Of Tears, The Munich Recording, The Absent Filmmaker, Whisper Gentle Breeze, Oslo, Farewell Northern Bird and Nachtmusik.
He established the record label, Holm Records, in 2011, which releases many of Dee C'rell's compositions and collaborations, and his works are published as a recording artist and composer in Germany with Concord Music Publishing and ROBA. The music released via Holm Records appears on numerous national radio playlists globally within a variety of music genres and he has released a multitude of works which have appeared on CD’s and digital albums released by, Sony, Warner Music, EMI, Ministry of Sound, Embassy of Music, Stereo Deluxe, KARE, ROBA, Ozella Records, ZYX, Ganser & Hanke, Klassik Radio, and many more, earning Dee C'rell notable global recognition. As an artist, he is endorsed by prestigious companies such as, Bechstein Piano's, Ableton, Focusrite and Ollo Audio, amongst others.